I don’t know about you, but I get way too overwhelmed with Instagram, Facebook, TikTok, Clubhouse, Linked In, and all of the different social media platforms out there. Part of me thinks they are wonderful because we have this incredible opportunity to share our ideas, our art, and to reach out to clients and friends while building community.  

The other part is that it can sometimes feel gross, overwhelming, and even demeaning when the comments start rolling in. So as Kingdom artists, how do we find the balance between the real community we create online versus those random unhinged comments that pop up on your social media feeds?

What is Real Community?

There are several characteristics of authentic community.  Number one, is real intimacy. Being vulnerable, transparent, and knowing each other’s heart is a huge part of the ground that real relationship is built upon. While this is best built face to face, this isn’t always possible or feasible. But given the technology we have available, real relational intimacy with people online is possible. 

Secondly, real community is marked by an opportunity and openness to give and receive.  We have all been in a one-sided relationship before where either it was us receiving something that somebody was trying to give that we didn’t necessarily want to hear, or vice versa.  A healthy relationship needs a balance of both giving and receiving, sharing and taking equally so that one person isn’t being dominated by the other. 

Thirdly, in a real community, people are invested in each other for the long term. These are people that you want to walk with and have chosen to share your time, energy, attention, and resources. These are the people you have chosen to focus on in your life because they are important to you, and hopefully, they feel the same way about you. 

The real question is, how does real community differ from the comment driven “relationships” we all have on social media?

Who Are These People? 

First of all, you really don’t know WHO most of those people are.  We all have Facebook “friends” we barely know or have never even met in real life. When you think about it, you don’t know that much about them at all. You only see the happy high-points of their life and the stuff they choose to share in their posts. 

These are not people you’re invested in. So many of your online interactions are based on algorithms and not on authentic connection. These are people that are like leaves; they blow in and out of your life, they are here for a moment, here for only a short season. For the most part, these are not the folks you have chosen to invest your time and energy into. 

When you look at the Biblical concept of community, we are called into relationship with others so that we can complete one another. I am here to sharpen you, and you are here to do the same for me. Just like in a healthy body, a healthy community supports the members, supplying them with the support, comfort, and care they need. Again, this is a very different concept than the reality we face in our social media post-driven world. 
  
A Healthy Community Supports Your Godly Identity 

Diving in a little deeper, take a moment to answer these questions honestly. How do you define yourself, and who are you allowing to shape your identity? Of course, you can be defined by anything you want to be defined by, but from a Kingdom perspective, God’s best for us is that our identity comes from who Jesus says we are. Our identity is meant to come from the Word of God.  

That’s the gold standard God intended for each of us. A healthy identity that comes from the Lord is designed to be reinforced and encouraged through a healthy community.  The relationships you build inside a safe, supporting, and caring community are there to build you up in the Lord and equip you to be all that God has created you to be.

But those relationships, just like everything good in the Kingdom, have to be cultivated. It’s yet another case of reaping back what you’ve sowed.  As you walk together with others in a life-giving community, your healthy, godly identity matures when you’re helping others do the same. 

So, take a moment and ask yourself these questions?

• How much are you choosing to invest in real relationships?
• How much are you pouring into and encouraging the lives of others?
• Are the people supporting and reinforcing your calling and your Godly identity?

As you continue to travel through this social media-driven landscape, it’s vital that you learn to temper your reactions to posts and comments based on the level of authentic connection you have with the commentator.  When the relationship isn’t genuine, then take the feedback, whether good or bad, with a grain of salt.

I hope this has been an encouragement to you. I, for one, am glad that you are a part of my community.

​

One of the questions that I get all the time is, “Matt, how do I find my artistic uniqueness and express that in the marketplace?” It’s a great question and a real sign that the artist asking it is ready to take their art to the next level. Why, you ask? Because differentiation and uniqueness are what set you apart from other artists in the marketplace.   

Art, after all, is a language. It is visual, auditory, and it speaks to the soul of all people. Like the spoken language you use every day, your artistic vocabulary doesn’t just appear overnight.  Here are three essential things you need to know about developing and refining your creative voice.

You’ll Know It When You See It 
One of the things that I really believe about finding your unique, artistic voice is that you don’t find it; you recognize it.  You uncover it.  You allow it to emerge over time. However, one of the things artists often neglect is being in the studio enough to ever see that emergence happen. 

As you pursue this process, just start by doing the things that come naturally to you. Then, get in the studio and create tons and tons of work.  Develop that masterful competency that only time and practice brings forth. And as you do, you’ll start to see themes and styles come out as your unique creative voice emerges. 

Consistently Cultivate Inspiration 
Creating lots of work over time forces you to cultivate continued inspiration in your life. As a creative, you must keep your artistic eyes and ears open all the time. As you receive that inspiration, you respond through your work. And then the inspiration/creation cycle starts all over again. 

As you cultivate inspiration, you start to recognize what you are interested in and drawn to as an artist. You begin to gravitate towards a preferred medium and limited palette of materials and supplies you’re using. You begin to recognize the things in life that inspire you the most, and you start to purposefully pursue that source of inspiration. 

One final thought on cultivating inspiration; be consistent, be intentional and be faithful. Get serious about cultivating inspiration in your life regularly. Then, faithfully steward those ideas by journaling them. (Need more tips on this, check out this podcast episode that is all about cultivating creative inspiration.)

Don’t Rush the Process 
Creating tons of work and developing masterful competency while consistently cultivating inspiration takes time. One of the biggest roadblocks to artists developing their style happens when they pressure themselves to sell their work too quickly.  

Investing time in your art is the key. There is no shortcut to gaining experience and building skills, both of which contribute to developing your creative voice. Allow your voice to emerge, over time, then refine it. As you do this authentically, people will recognize your uniqueness and respond to it, giving you an excellent opportunity to connect with those people when you make your move to the marketplace. 

I hope this helps as you continue to pursue the development of your own unique artistic voice. If this article has helped, take a moment to share it with a friend, share it on social media, and comment below!
​
 Thanks for reading.

One of the frequent questions I get goes something like, "Matt, I'm on Facebook, Instagram, Pinterest, YouTube, and TikTok. So, is it even a necessity to have a website?  

I get it. Websites can seem so last decade. But an effective website can be the best marketing tool an emerging artist can use to grow their business and expand their influence. So, I want to give you a new perspective on websites while highlighting what I see are the four primary purposes of every artist's website.

All Roads Lead to Your Website

So, I'm a big fan of Social Media. I'm currently on Facebook, YouTube, and Instagram, while at the same time, my podcasts are being distributed across a dozen different platforms. I've been interviewed on radio, tv, podcasts, and in magazines, books, and blogs. The common thread that holds this all together is my website.

I like to think of an artist's website as the central place or the hub of your artistic world. Your website should be the place that all roads from the social jungle point back to.  Your social pages should link to it, your blog should live on it, and when you're interviewed online, on-air, or in print, you should mention it. 

Why? You ask. It's simple. Your website is where your Artist Statement lives.  It's the place where all the images of you working in the studio, of the trajectory of your work, and the history of your creative process are displayed. Your site is where you showcase your current work, share your event calendar, and talk about your journey as an artist. 

Now, the whole point of having a website, though, is not just to have a website.  The whole point of having a website is to move people through a process where they can do four things. 

Learn About You
As you are designing your website, you want to speak about what you do in a way that connects with what your site visitors are looking for.  If you go to my website, www.MattTommey.com, you can see how I speak to people that are looking for unique, nature-inspired woven sculpture.  

I am speaking not only about myself, my art, and my creative process, but I am intentionally sharing what I do in terms of what my potential clients are looking for.  In marketing, we call that the WIIFM – "What's In It For Me?" When you ask this question, you have to think about it from the client's perspective since that is who you want to be able to connect with.

Have Their Needs Met
I remember walking through a store one day when U2's "I still haven't found what I'm looking for" began playing in the background.  I had a chuckle because it was true for me that day, but it also brings up a great point.

Your website needs to persuade visitors that the solutions you offer, the art you sell, the classes you teach, or the book you wrote is something that they need. The language you use, the pictures you share, and the stories you tell on your page need to connect with these potential clients in a way that makes them want to take advantage of the opportunity you're offering based on their values, their desires, and what they are looking for.

Take Action
Number three, your website has got to have a clear invitation.  You want to have an opportunity to invite visitors to get involved in your world. It can be as simple as an invite to a show, an offer to take a class, or even an opportunity to purchase a piece of work. 

The secret is you have to ask the visitor to take action, and you've got to be really clear!  In the Marketing world, we call that your Call To Action.  Your CTA is effective when a site guest can clearly understand what they are being asked to do and quickly and easily do it.

Become Connected
Lastly, you want to make it easy for your site visitors to stay connected with you. That's why I tell the artist in my Created to Thrive Artists Mentoring Program to make sure that there is an opt-in page on their websites.

An opt-in page is where somebody can make a purchase, register for a class, or even give you their email address. Again, your website is not of any real use if it is just a brochure out there.  You want to make sure that it's a vehicle to connect, persuade, invite, and enable your clients to communicate with you, do business with you, and refer you to others.

I hope this helps as you take that step of creating or refining your website. If this article has helped, take a moment to share it with a friend, share it on social media, and comment below!

Thanks for reading.

Have you ever wanted to know just what it takes to get into an art gallery? I get asked about this all the time, and in this article, I have three tips, straight from a local gallery director, that will help you get your art ready for submission to a reputable gallery.

As many of you know, I have been transitioning out of my River Arts District studio, where I have been for the last ten years, into a private and not open to the public studio. As a part of this move, I am starting to sell my work through galleries again. 

I was making a delivery the other day, and I had the opportunity to talk to the director and their staff. I shared with them that one of the big questions that I get all the time from the members of my Created to Thrive Artists Mentoring program is, "Matt, how do I get into a really reputable gallery?"  

Of all the things they shared about what to do and what NOT to do when seeking gallery representation, the following three things really stuck out as vital to artists wanting to sell their work through a reputable gallery.

Follow the Procedures

I know that might seem like a "Duh! Everybody follows the procedures!" But not everybody does!  In fact, too many artists just show up at the gallery and ask, "How do you be an artist in this gallery," or another favorite question, "Can you just look at my work on my phone?"  

Listen!  Any reputable gallery has got a process, often found on their website. It will detail when they are looking at work, how to submit it, and the time frame in which they'll get back with you.  If you research a gallery you are interested in and can't find their submission process online, then reach out with a call or email asking how they would like for you to submit work for their consideration.

The critical thing to remember here is that every gallery has procedures, and they all want you to follow them; why, you wonder? It's because if they are a reputable gallery, they are a busy gallery, and following their procedures shows a gallery owner that:

• You respect their time and their status in the local art scene
• You are serious about your art
• You are someone that can be trusted to work with long term

Always remember that a gallery isn't just someone who shows off your artwork from time to time. They are going into business with you. When a gallery accepts your work, they partner with you to distribute your art to the world.  So, it's vital that you follow their procedures at the beginning of what can be a very fruitful relationship.

Be On-Time

This kind of goes without saying, but it was one of the key "what NOT to do" things the gallery staff shared with me.  They told me, "If all of our artists would be like you, Matt!  You are actually on time. You were here when you said you were going to be, and you have your paperwork!"  

Here's a Pro Tip for getting an art gallery director and staff to love you and your work: Make it easy to do business with you.  It starts with things like:

• Fill out your Artist Inventory BEFORE you arrive with your artwork.
• Have your headshots, bio, and artist's statement ready to give the gallery both in printed form and in digital format.
• Show up for your appointments on time with all your gallery submission work complete.

Do this, and they will have a great feeling about you and your work. And when the gallery owner and the gallery staff feel good about you and your work, they are much, much, much more willing to talk to clientele about what you do creatively, both to sell pieces and to refer clients back to you for commissioned work.  

Make Great Artwork

Again, I would hope this would seem obvious, but too many people just don't seem to get this. You've got to be making great work for a gallery to take you seriously.  You may be a great marketer, but if you create sub-standard pieces that are not desirable in the marketplace, then you can't expect the gallery to get excited about what you do.  

While you're out there looking for a reputable venue to represent your work, owners are looking for artwork that will enhance their art gallery's reputation. I share these concepts often, both in this blog and on my Thriving Christian Artist and 5-Minute Mentoring Podcasts, about:
 

• Being both Filled and Skilled as an Artist, 
• Having a Regular Consistent Studio Practice
• Developing of Your Unique Artistic Voice

Investing in yourself and your art is the path towards creating high quality, unique art that will be prized and appreciated in the marketplace. 

When you do these three things, I promise that you will make friends and influence gallery owners quickly. You'll be set apart from so many other artists in the Marketplace who may be great at what they do, but they aren't making it easy for a gallery to do business with them. 

I hope this has been a big encouragement to you. If this article has been a blessing to you, take a moment to share it with a friend, share on social media and comment below!

Thanks for reading. 

​

So everybody wants to be an “influencer” these days, right? The lure of followers, the excitement of sharing your passion with thousands who are listening to your every word. Trust me, it's a thing and it's exciting! But what’s God’s methodology for becoming a person of influence?  

First of all, let me say that wanting to share your passion and inspire others is awesome! And it could very well be a part of what God's called you to as an artist or art teacher.  But it's important to come at this from a healthy, grounded perspective because for Christians, concepts like laying down your life, serving others first and allowing God to raise you up in His timing come to mind pretty quickly.

In that context, here’s 5 other practical ways you can approach your dream of leading and potentially influencing others...

1. Develop Masterful Competency in One Area. Yes, one.​
   But Matt, I love to do so many creative things! Yes, I know and that's awesome, but it's not how you develop mastery. Focusing singularly on the development of your artistic voice and the unique aesthetic you carry is a major accelerator for your growth as an artist both creatively and financially.
2. Do it so well and so uniquely that others can’t help but notice.
   The Bible is clear that a person's gift makes room for them. As you develop mastery over an area of your life like your art, and start sharing your story authentically with those who are interested, that in itself will start to open doors in the marketplace.
3. When they start to ask how you did it (and they will) and if you could help them, humbly say yes and ask how best you can help.
   When you are doing great work and telling your story, you will garner the attention of others... both buyers, partners and students. As you notice the conversation happening - it's focus, it's frequency - embrace it and use it to develop relationships with your audience members
4. Day by day, multiply your results in the lives of others and help them achieve even greater results
   The responsibility to influence others as an artist who's on a Kingdom assignment is great. Not heavy, but important. Your role in that relationship is to inspire, point them to Jesus and help them grow in their own gifting so they can be the person God created them to be. It's definitely not to create a bunch of mini-me's.
5. Tell the stories of those you’ve helped and the transformation you helped them achieve. Invite others to the same journey.
   One of the best ways to grow in influence is to allow other people to praise your work and influence in their life. Let your students and clients tell your story through testimonials, video and social media live broadcasts. And when you're telling the story of what you do, make sure you're focusing 2/3 on your impact on others, rather than your own awesomeness, which I'm sure is limitless :)

Now, all that being said, I couldn't resist giving you 5 Ways Not to Be An Influencer. So, here they are:

1. Plaster your "brand" all over the web and social media along with your latest __________ (class, ecourse, book, album, etc) telling everyone how awesome you and your ___________ are.
2. Show no demonstrated mastery or progress in your life over time in the area you're wanting to encourage others in.
3. Step into the role of coach, expert or advisor when you’ve never helped anyone else achieve real lasting results in their life in that area.
4. Look for recognition of your position before seeing demonstrable, measurable results in your life and in the lives of others.
5. Seek leadership and authority before being a great follower who’s under authority.

It's been said "Your talent will take you where your character can't keep you" and I wholeheartedly agree. ​Remember, just because you can make influence happen through technology and marketing strategies doesn't mean you should. Rather, listen to the voice of the Lord, watch the fruit He's bringing forth in your life and listen to those who are organically following you.  

Psalm 75:6-7 "For promotion and power come from nowhere on earth, but only from God. He promotes one and deposes another."

Lastly, in the Kingdom, those who lead have a greater responsibility. We hold the hearts of our followers in our hands and have the ability to point them in any direction. Make sure your own heart is grounded in a healthy identity in Jesus and who you are in Him, rather than what you do. Otherwise, believe me, it will be really easy to draw others to yourself rather than to Jesus and His purposes in their life.

Do you struggle with pricing your artwork? Do you often feel like you're underpricing, or maybe even undervaluing, your artwork? It's an all too common problem for artists. If you can relate, I have some good news and some surprising news for you. The good news is that this doesn't have to be your story. The surprising news is that we're going to have to address a mindset issue that's probably been holding you back.

Over the years, I've learned that if you are struggling with pricing as an artist, it rarely has anything to do with the value of your work, the quality of your work, or what people are willing to pay you.  What I have found to be the case is that 99% of the time, the major roadblock when it comes to pricing is YOU, or more specifically, your MINDSET.  

No matter how talented you may be or what kind of local art market you live in, at the end of the day it all boils down to what you believe about yourself and your artwork.  Don’t worry, I’ll explain more as we keep going, but first I want to start here.

Let me challenge you to take a few minutes and do a little self-assessment. Be honest, even if you don't like your answers. The point of this little exercise is to find the root cause of why pricing your art is such a struggle.

Mini-Assessment 

• Are you struggling with pricing your art?  
• Are you afraid to put the price that you really need to put on your art?  
• Do you settle for less because it feels more comfortable?
• What do you believe is possible, financially speaking, with your art?
• What do you believe about your own value as an artist?
• What do you believe about your artistic abilities?
• Are you able to share your artwork in a way that is meaningful and valuable to others?

Now, take a moment and ask God to show you the common thread that runs through all your answers. What is one thing that is most responsible for the problems you've had pricing your artwork?

I know for me, when I started, it was a struggle to figure out how to price my artwork effectively so that I could make money as an artist. One thing that I did learn over the years was that if you don't value yourself and your art, then that same discounting of yourself and your artistic giftings will be reflected 100% of the time in the price that you put on your artwork.  Take a moment to let that sink in while I share this story.

After I moved to Asheville, North Carolina, and had become a member of the Southern Highland Craft Guild (the second oldest and most prestigious fine craft guild in the country), I had an experience at one of my first shows with them that exposed my false thinking and highlighted the need to change my mindset. Being a new artist in a group in such a prestigious group, I decided to push my pricing to where I felt comfortable, to a price point I thought people would pay based on what I would pay.  My mindset at the time was something like, "If I wouldn't pay more than this, then I won't price my work any higher than this." At the time, it made sense to me.

Well, I had a beautiful sculptural piece there with me that weekend.  And as I started working the crowd, and people are coming up and talking to me, this one guy came up and started circling that piece. I tried to hold my excitement back just knowing he was falling in love with the sculpture and that I was about to make a sale.  Everything was going well until he looked at the $200 price I had on the piece. 

The guy finally engaged me and asked, "Well, are you the artist?"  
I said, "Yeah!"  
He said, "Well, this is a really beautiful piece, a really special piece."  
I said, "Well, thank you so much.” 
He said, "You know, people come to this kind of show because they are looking for something that is really, really special."  

Now in the back of my mind, I am thinking the whole time, "This guy is going to totally buy this piece!  He is driving himself into the buyer's lane right now."  

I said, "Yeah!  Yeah!  People do come to this show because it is a beautiful show."  
He said, "Matt, can I be honest with you?"  
I said, "Sure!  Sure!"  
He said, "You have been doing this a lot longer than I have; you have got a lot more experience than I do, but I'll be honest with you.  $200 really doesn't say "special" to me." And then he walked away.

I have a friend that had the same thing happen when she was selling a piece of pottery. She had priced her art at $150, but a prospective customer mistakenly thought that the piece was priced at $1,500 and was eager to take the piece home. As the customer took the piece up to the counter to check out, she was informed that it was only $150. Normally you'd think this would be a good thing, but the customer who was willing and ready to buy a $1500 piece of pottery refused to buy it now that it was only $150. 

Why do you think this happened in both of these cases?  I believe it all boils down to perception. From the artists' point of view, we both priced our pieces based on what we perceived our value and the value of the piece to be. Again, this made perfect sense at the time. But to both potential buyers, their perception of our art, art that they wanted to buy, was damaged by what they perceived to be a cheap price.

For me, this experience was an excellent opportunity to reach out to God and allow Him to challenge and change the mindsets I held around the pricing and valuing my work. As I grew in this area, I began to gain the confidence to start pricing my art in a way that set me apart. 

If this resonates with you, then I challenge you to take your own pricing and value mindsets to the God and ask, "Lord, am I charging for my art based out of fear, or am I charging for my art based on being a business person, being confident in what You have called me to, knowing that I need to make money and make a profit to sell?"   

I hope this has been a big encouragement to you. If this article has been a blessing to you, take a moment to share it with a friend.

Thanks for reading.

For a detailed explanation of pricing artwork, check out my guide to How to Price Your Art: The Definitive Guide for Pricing Artwork for Visual Artists.

There’s a fresh wind blowing through the arts right now, all over the world. Many have called it a New Renaissance of sorts and as an artist, that’s exciting!

For many artists, it's brought a new vitality, a resurgence of buyers and the opportunity to significantly grow their businesses through new tools and technology platforms, but is that it? Is that the end game? 

I believe there's much more on God's heart for artists.

More than Marketers
During this current resurgence of the arts, God is highlighting artists, our work and our creative process. It's an exciting time but God's not simply interested in raising up more talented artists and better marketers for our own sake. This move is not just about creating great art and making money as an end in itself (although both of those things can be the fruit of following Gods lead)! He’s actually waking up our hearts, drawing us into wholeness, transforming our minds and raising up an army of creative sons and daughters who know who they are and what they are called to in the Kingdom. 

This is definitely a God-inspired movement - a tidal wave of creativity in our generation - but to simply see it only as a renaissance is to miss the essence of what's going on. This move is very different and if we don’t recognize the differences, we will miss the central focus of what’s Gods really doing in this hour. Here’s why:

3 Philosophies of the Renaissance
During (and as a result of) the Renaissance, three main philosophies emerged that have guided artists for generations since:

• Humanism (man is the center of his universe)
• Patronage (the protection and support of artists by religious / regional institutions and the wealthy)
• Art for arts sake (art as complete in itself, divorced from purpose outside itself).

These three systems formed the basis of how most artists approach their work and business - Christian artists included - even today. It goes like this: pursue my artistic expression (because that’s who I am), make it all about my desires, my talent, my expression and then find others to support me through grants, donations and sales. For some that works, although not long term. For many, it doesn't work, resulting in a starving artist mentality on one side or a success-focused art marketer on the other. 

​The ugly side of patronage during the Renaissance of the past was that the artist became dependent on and was at the mercy of the patron (rather than a healthy identity in the Lord), adding a complicated (to say the least) dynamic to their life and art.  Today, being a slave to the market or latest marketing trend can yield the same frustration.

More than an Arts Renaissance
In this season, God is using this renaissance to lead us to revival and ultimately, thriving in His Kingdom.  He's also raising up an army of artists who operate in three wholly different ways:

• Christ-Centric: Instead of being humanistic, there’s a call to be Christ-centric; realizing that we’ve been given everything we need through the restorative work of Christ. We’ve been healed, restored and as we center our life, desires and creative expression in Him, He is glorified and releases His transformative light and life through us.
• Kingdom Provision: Instead of patronage, there’s a call to embrace Kingdom provision; realizing that God alone is our provider and that through the marketplace (and other means) He reveals where we can harvest our provision in line with our assignment as artists. He brings the clients, the ideas and the divine connections. As we are faithful with little - in our skill, our business and marketing, in our finances - God makes us ruler over much.
• Transformative Art: Instead of “art for arts sake”, artists realize that art and creativity are a vehicle through which God uses both the artist and the work to release His transformative power, drawing people closer to Him.

God is after much more than just a renewal of interest in the arts, growing art businesses and increased influence.  If we miss this (and it's so easy to) we will tend to seek only the results of what God promises (success, transformation, influence) without the relational and transformative process required to get there.

Lasting Success, Grace to Grow
As an artist myself and one who’s had the great privilege of walking with thousands of artists over the years as a mentor, I know this: 

artists who seek the transformative power of God in the context of their life, art and business will always experience more lasting success than those who simply seek after the latest artistic fads and business trends.

Further, artists who center their art and business in their relationship with God also have the grace to grow and mature over the long term, building what Proverbs calls “wealth without sorrow.”

I want revival, not just renaissance. Revival starts in the heart - my heart - and flows out to others by the Spirit of God through my art, my business and my life.

Revival awakens and empowers me from within.

Revival centers my life, work and business in hearing Gods voice and following His lead.

Revival calls me to community and lasting impact, for His glory.

Sure, becoming a better artist and a better marketer is a part of this process for artists but it’s when God shows up that everything changes. That kind of lasting transformation will never happen as the result of my own effort.

When God shows up, transformation is released.

When God shows up, my life and art has meaning.

When God shows up, then the world is changed.

Pray this with me: Oh God, raise up an army of artists - sons and daughters - who know your voice, follow your lead and release the beauty of your Kingdom in the earth! Here I am, use me.

Tell me my friend, does this sound familiar? 

You've created a significant body of work and have done your best to let the world know you're open for business, but no matter what you do, you just can't seem to sell your art locally. 

If you find yourself in an extremely rural area, an area that is economically depressed, or an area that doesn't have an established art-buying culture, then it may be time to face facts. Your local area may not be where your ideal clients, the best buyers for your art, are located.  

If this is you, don't worry. This isn't the end of your artistic dreams, but the beginning of a new way of thinking about and approaching your art business. And to help you get started, I want to share three ideas that I've seen work for artists around the globe.

1. Selling Art is Not the Only Way to Make Money as An Artist
When I first moved to Asheville and started to establish myself as an artist, I discovered that teaching art classes was a great way to augment my art sales.  These classes brought in some much-needed income while helping to elevate my status as an artistic professional in my community. 

Over the past few years, online courses have come into their own. Even in our currently socially distanced world, it's never been easier to use what you know artistically to create a great source of income.

2. You Need to Go Where the Fish Are
I grew up in Georgia and learned quite early that if you're trying to catch fish, you've got to go to where the fish are. The same wisdom applies to selling your art.  If your local art market is sluggish or non-existent, then it's time to find out where folks are buying art in your region and your state.

Start with a little online research.  Spend some time looking into shows outside of your local area that are a good fit for your work. Then look into the galleries that are attracting the clientele you're looking to connect with. Once you've narrowed down the list, check out these shows and galleries in person. It may mean taking a road trip and getting a hotel. The goal is to find with the Holy Spirit's guidance, the shows and galleries that are a great fit for your art.  

3.  Selling Your Artwork Online Is a Great Option 
The fundamentals are simple: attract an audience, get their email address, and build a connection over time.  It may be a new concept to you, but over the years, I've learned that Connection is Key when it comes to growing your art sales.  Every successful artist I know cultivates buyers by intentionally and consistently building a connection with their followers.  

Now once you've built that connection, everything else is quite simple. From processing payments online to worldwide shipping, it's never been easier to sell your art to a global audience. 

Looking for A Blueprint for Success?
Over the years as I've developed my own thriving art business and helped thousands of other Christian artists do the same, I've discovered there are some key elements you need to be focused on in order to start or grow your art business. 

They include things like:
✅  Having a simple, clear pathway for your purpose
✅  Knowing where to focus your time, attention and resources to accelerate growth
✅  Understanding what habits make success easier
✅  Clarifying God’s plan for your life and art
✅  Discovering why people aren't buying your art
✅  Transforming lookers into raving clients
✅  How to build a personal brand that attracts buyers both online and offline
✅  Knowing the key elements every artist website should have to start making sales
✅  Feeling confident in creating a simple artist marketing plan 
✅  Knowing how to handle the business side of being an artist without being overwhelmed

These key elements are the beginning of starting or growing your art business to the next level. 

I hope this has been a big encouragement to you. If this article has been a blessing to you, take a moment to share it with a friend.

Enjoy this live video from a recent Facebook Live. We has some connectivity issues for a few moments early on... just scrub through them and keep going :)

Many artists have dreams of creating a business from their art. Even more have dreams of growing their current art business beyond a trickling side hustle into a real part-time or full-time business that can provide then the financial and time freedom they desire.

Well, if you're one of those artists and you're tired of spinning your wheels then I hope this article will be an encouragement to you! 

Harmonious Opposites
For most artists, one of the first big hurdles to overcome is the concept of being both an entrepreneur and a creative.  I know, I can hear you now "But Matt, I'm not good at all the business stuff... I just want to create!" If that's you, then wonderful! I'm happy for you. You, my friend, have a wonderful hobby you can enjoy for many years to come. But here's the truth: you can't have business results with hobby habits. Either you learn to embrace both parts of the journey, or you come to terms with the limitations of not doing so. There's no right or wrong answer, but you can't have it both ways.

Entrepreneurship and creativity are what some have called "harmonious opposites". On the surface, they seem like they are the antithesis of each other but in realty, they actually fuel each other when held in a healthy tension. Living in and cultivating that tension is your job. Let me explain.

Creative expression in and of itself is a wonderful pursuit for every person, regardless if they feel they are called to be an artist or not. However, for those who want to grow in their capacity, skill and function as an artist, a few things must happen, right? Mastery of skills, techniques, material usage, design, composition, the list goes on. Without these fundamentals, creating can become limited and boring. However, with this foundation artistic expression becomes and ever-expanding world of possibility. In essence, skill development is the runway for artistic freedom and I bet if you've been an artist for any length of time, you've probably experienced this reality in your life.

The same is true with entrepreneurship and the fundamentals of business. Unless an artist embraces the fundamentals of marketing, sales and running a business they simply limit their capacity to thrive in this modern world as an artist. Gone are the days where an artist can rely on one gallery to sell their work. Buyers want interaction with the artist more than ever which requires artists not only to be makers, but to be great marketers as well. It's simply a required part of the package. Otherwise, you've got to be ok with creating art as a hobby with no predictable way of seeing sales.

The Juggling Act
Now that you're (hopefully) starting to embrace the harmonious tension between being both an entrepreneur and a creative, realize that functioning in that world is not a singular path. Rather, it is much like a juggler, who starting with a single item, then adds other items to their act and keeps them all in the air.  Skill and experience make that easier as you grow.

The big question for most artists is "what things should I be juggling and what things should I be leaving out?" That is, what are the really important things that I need to know - especially starting out - and what are the things I can grow into? Without knowing this, most artists will spend hours, days and months spinning their wheels doing things they think are important yet not having any data to confirm their suspicions. 

A Blueprint for Success
Over the years as I've developed my own thriving art business and helped thousands of other Christian artists do the same, I've discovered there are some key elements you need to be focused on in order to start or grow your art business. 

They include things like:
✅  Having a simple, clear pathway for your purpose
✅  Knowing where to focus your time, attention and resources to accelerate growth
✅  Understanding what habits make success easier
✅  Clarifying God’s plan for your life and art
✅  Discovering why people aren't buying your art
✅  Transforming lookers into raving clients
✅  How to build a personal brand that attracts buyers both online and offline
✅  Knowing the key elements every artist website should have to start making sales
✅  Feeling confident in creating a simple artist marketing plan 
✅  Knowing how to handle the business side of being an artist without being overwhelmed

These key elements are the beginning of starting or growing your art business to the next level. 

Have you ever struggled with knowing where to advertise yourself as an artist?  There are so many options available today. Some are expensive, some are effective, and some are just a waste of time and money.

I love it when an artist is thinking about advertising because it immediately tells me that they are proud of their work and ready to get it out there to the art buying public. It also means they are stepping out into their journey of becoming a thriving artist. That’s exciting!

I was recently asked a question by Deb, one of the members of my Created to Thrive Artist Mentoring Program as she was considering advertising in her local paper. She wanted to know what I did to advertise myself as an artist. My answer may surprise some of you, but before I share it, I want to give you a little backstory.

Backstory: I owned a marketing company in Atlanta for several years.  We did some advertising, we helped people develop ads and get them placed in magazines, newspapers, and online. We'd help communicate their message, build brand awareness, and build their online presence.

Despite my background in advertising, I don't advertise, at least not in the way you might think. Now, I know you're sitting there, maybe in a bit of disbelief, but I've been able to build a six-figure art business with an international following without having to pay to promote my artwork.

It all comes down to the way that the Lord led me to develop my art career. You see, I believe marketing your art is not just about finding people to buy your stuff. It’s about cultivating and sharing your artistic uniqueness and then sharing that with the world in order to build an authentic connection with the people in the marketplace who value your aesthetic and connect with who you are as an artist.

Are you ready to find out how to do this?
 
Define Your Artistic Uniqueness

Let me ask you a question. What makes you different? What makes you unique? What is the "secret sauce" that makes your artwork stand out from other artists in your area who are creating pieces using the same mediums or working in similar genres as you?

Defining what I call your Unique Creative Voice as an artist is vital to developing your "brand" as an artist. There are many ways to go about doing this, but I’ve found there are really three key steps you need to take to do it successfully. 

Focus Your Creative Expression

Have you ever heard the saying, "Jack of all trades, master of none?" Unfortunately, this could be ascribed to so many artists I've met over the years. While it's great to have a wide variety of skills and interests, it's vitally important to focus your creative energies on one or two primary things so you can truly develop what I call Masterful Competence; but only if you want to sell your work consistently. :)

This focusing may also mean that you begin to put limits on your creative palette while you define the parameters of both what and how you create your art. It's learning to find creative freedom within the boundaries of a limited palette. I realize that might seem stifling at first but learning to co-plan and co-create art with the Holy Spirit while limiting yourself to a handful of supplies, techniques, and mediums supercharges the development of your artistic mastery.

Learn To Tell the Story of You

One thing I'm always saying is that 90% of the time, people buy art because of connection.  Sometimes it's a connection to your subject matter, but serious collectors also value the connection they have with you and your creative process.

That's why developing and refining your story is vital to growing your art business. Your story and the story of your art can be one of the most powerful tools you can carry with you as you embark on creating authentic connections with the clients and potential clients you meet.

You see, fully embracing your story is so important, because before you can truly grow as an artist, you must be able to speak passionately about yourself, your artwork, and your process. When you're passionate and excited about your work, and you learn to share that passion, people will start to connect with you and your work.

The difference between telling your story and advertising is the difference between hunting with a rifle versus hunting with a shotgun.  Telling your story, either in person or via editorial content (blogs, podcasts, articles, etc.) is a highly focused, precise way of zeroing in on your ideal clients. While generalized advertising (though it can be useful) is a bit like scattering your seed to the wind. Sure, you may "hit" one or two of the people you're looking to connect with, but the vast majority of your paid advertisements are going to land in the laps of people who don't want or can't afford what you do.

There is a better way, and once you've established what makes you artistically unique and you're ready to tell the story of you, then it's time to…

Discover Your Ideal Client

Creating your business around a niche of people who connect with you and your work is the bedrock of a successful art business. As I've said many times before, "No connection, no sale." The question then becomes, "How do I connect and with whom?" That's what developing a client avatar is all about.

A client avatar is a fictional representation of your ideal client, all wrapped into one character. Being able to see your ideal client as a person, rather than an obscure figment of your imagination is super helpful when developing your potential products, messaging, and marketing campaigns. With a client avatar in mind, you're able to create marketing efforts directed right at them.

Finally, let me say this. It's best if you can develop your client avatar based on actual evidence you've collected over time rather than just coming up with who you 'think' is your target client. With actual client history, you can analyze how people have connected with you and your work over the years while working on ways to enhance that experience. If you're just starting fresh, give it your best shot and also look at the clients of other artists in your area or medium who are selling to provide you with a starting place.

So, you've defined your artistic uniqueness, you're ready to tell the story of you, and you know what your ideal client looks like. Now it's time to…

Bring it All Together

Have you ever wondered what that secret recipe is for making and selling great art? Well, it's not just your artistic uniqueness, your story and your client avatar alone that make the biggest difference, but rather how you use these three ingredients, or tools, together to develop the perfect recipe for connecting you and your art with the people who want to buy it and pay top dollar for it.

The goal is to find the points of intersection where you can connect with your ideal clients. What magazines do they read? Where do they hang out? What non-profits are they involved with? What clubs and organizations are they members of? These are just a few of the questions I've used over the years to find points of overlap in my life and in theirs. And this is key to creating connection. Let me tell you how my friend Julie, a photographer, does this.

Julie's fine art portrait sessions are a perfect fit for individuals and families who can invest $2500 or more to capture images meant to be treasured for several lifetimes. She learned early on that her ideal clients were often involved with local non-profits, serving on boards, donating time, and making donations at fundraisers and galas. So, Julie combined her skills along with her love of serving the community to connect with her ideal clients by photographing them at local non-profit events.

Again, the goal is to know where your ideal client is hanging out and learning to connect with them intentionally. Through direct connection via mutual interests or by being referred by someone your ideal client is already doing business with are two great low to no-cost ways to promote yourself.

Now, if you were going to spend money on  advertisements, and please know that I'm not against this, this is where having intel on your ideal client can really stretch and focus your advertising dollars.  If your ideal clients are affluent seniors, look for the local publications that are already targeting that market. Some exclusive subdivisions in our area even have their own magazines, each filled with public interest articles on a variety of topics. This opens up the possibility of a public interest piece (which costs nothing) or even paid ads that will land in the lap of an ideal potential client.

Final Thoughts

Marketing and promotion are a lot like planting seeds. The worst thing you can ever do is to stop sowing the seeds of connection. Some of those seeds are going to come up immediately, some of them are going to come up in a few months, some of them may come up in a few years.  You never know, but you have always got to be planting seeds, and then focus those seeds in the places where they are going to count the most around those intersection points.

I hope this has been a big encouragement to you. If this article has been a blessing to you, take a moment to share it with a friend.
​
Thanks for reading

Have you ever considered putting your artwork on apparel or merchandise in order to get it out to the masses?  Well, one of my podcast listeners and Created to Thrive Artist Mentoring Program members, Jen, recently asked me about this idea of putting a great piece of artwork on a T-shirt. She wanted to know if this is a good idea or not, but more specifically, she wanted to know if this would cheapen her art. 

I love tackling questions like this because it helps artists find focus and bring clarity of purpose to their creative pursuits. Over the years, I’ve found that there are really two ways to go about selling your art. Folks who have been in the biz for a while, usually end up in one of two camps: The Mass Merchandising Camp or the Fine Art Camp. It’s rare that artists have feet in both.

The Mass Merchandising Camp

In this camp, the whole idea is to sell as much art as possible by placing art on everything you can imagine while keeping the prices low enough to make it affordable to the masses.  In this camp, your canvas might be cellphone covers, leggings, pants, shirts, t-shirts, hats, mugs, cups, stickers, towels, or calendars. You get the idea.

Now don’t get me wrong, this can be a great camp to be in artistically speaking. Artists in this camp are eventually drawn towards licensing their art. From art and art merchandise sold online and in big box stores, to mass reproduced series of prints for business and hotel chains, art licensing is a multi-billion dollar segment of the global art market each year. 

To be clear, Mass Merchandising is an excellent camp to consider, but it does have one glaring downside.  The more that you bring down the price of your artwork and increase its accessibility, the more you cheapen its value in the eyes of serious collectors, people I consider to be your best buyers. 

What do I mean by that?  True collectors, the folks who spend the most money on art, are usually looking for pieces that are original, exclusive and many times, offered at a higher price point. To them, buying art is not just about the art, but about the ambiance that goes around it, the prominence of the artist, the significance of the piece, and the perceived status that would come from owning it.

The Fine Art Camp

Now, for me, I chose to plant my feet in a different camp when it came to marketing my art. I learned a valuable lesson early on in the fine craft world. My friends who were potters tended to lean mostly towards functional pieces or towards non-functional work.

I began to notice that potters that focused primarily on functional pieces, mugs, bowls, plates, etc., were amazing artists that were stuck on a volume-producing treadmill. To make a living, these artists have to batch produce a larger volume of pieces to make ends meet. Again these are great artists creating beautiful pieces, but at the end of the day, a mug or a bowl meant for daily use isn’t going to fetch fine art prices.

Then there were the ceramicists that created ornate vessels and sculpture. Their focus was on unique one of a kind items meant to serve as the focal point of a room, a centerpiece on a table, or a high-end accent to an existing collection of fine art. Sure these artists never sold the volume of pieces that functional potters sold, but they did attract the kind of buyer that I was looking to attract in my art business.

Positioning Is Everything

Seeing those two schools of thought in action there inside the fine art camp made it easy for me to find my path when it came to creating and selling my art.  While my career in basketry began in the “functional” school of thought, I knew I couldn’t stay there forever. Over the years, as my skill grew, I came to love making things that are exclusive, unique, and really special.

Consequently, I knew that if I wanted to follow my artistic passions, I had to move away from the “sure bet” functional baskets were for me and begin to position myself differently. My prices had to increase if my volume of sales were going to decrease, but more importantly I had to develop that “it” factor, that idea of exclusivity, that would attract the kind of buyer that could and would pay top dollar for my work.

As I did this, I learned a few things about the high-end art market. Buyers in this market are much more concerned about the connection of my values to theirs than they were with the concept of merely filling a blank space on their shelf. I learned that my ideal buyer was drawn in by the aesthetic of my work, the uniqueness of my pieces, and eventually by my reputation as an artist.

As I turned off the faucet in my art career on the lower-end stuff, I began to connect with clients that were passionate about my work. These folks never beat me up on price. In fact, price is often one of the last questions they ask when purchasing one of my woven sculptures. 

The best part is that they started referring me to their friends which only served to strengthen my reputation and increase my value in the marketplace as an artist. I found that I love to do business with buyers like this, serious collectors who appreciate my artistic passions.

Trust is Key

Choosing your path as an artist is one of the most critical decisions you’ll make in your career as an artist. One of the things that helped me the most in my journey was to set aside some time to examine my heart.

I began to realize that when my focus was on “how can I make a buck,” or “how can I get you to buy my basket,” that I was living out of a place of fear and striving. Fear that I would be a starving artist that couldn’t provide for my family and striving to do everything in my power to provide for my own needs. 

What I wasn’t doing was trusting the Lord, the One who had given me these talents and had called me to the marketplace to provide for me as His son.  In my own epic saga of artistic (and spiritual) growth, I reached a point of surrender and trust.

I surrendered the idea that it was up to me and that I had to work, sweat, and strive and leaned fully into trust. I prayed something like, “You know what, Lord?  I know that You love me. I know that You have called me an artist. I know that You want me to make things that I am passionate about. I know that as I am faithful to be the artist You called me to be, You are going to be faithful to bring the clients, the connections, and the provision.”  

When I did that and disconnected from all that striving, that’s when things changed for me. It’s been the same for so many artists in my Mentoring Program. When they let go of striving to create and sell and leaned into trusting God and yielding to the direction of the Holy Spirit in every aspect of their art life, things began to change. Doors of opportunity, provision, and artistic fulfillment began to open wide for them as well.  
I hope this has been a big encouragement to you. If this article has been a blessing to you, take a moment to share it with a friend.
Thanks for reading!

Back in March of this year, I had the honor and the privileged of hosting 500 artists at our first ever Thriving Christian Artists Conference here in North Carolina.

One of the highlights of that event was having the audience pick our 2020 Created to Thrive Spokesperson of the Year from our four finalists that were present there with us that weekend.

As a part of for being considered for this honor, everyone who entered this to submit a short video detailing why they should be chosen.  While I can't share all the fantastic videos we did receive, I do want to share with you the following videos from our four finalists. 

​Enjoy

All artists, especially Christian artists want to know how to sell their art! I mean come on, without selling your art most artists don't have the ability (or space) to keep making their work unless of course they have another income stream that funds their "art habit". 

So after making and selling a lot of art over the years I've come to the understanding that there are essentially 2 primary ways to sell your artwork as an artist:

• You sell it directly to your clients or
• You pay someone else to sell it for you ie: gallery, designer, strategic partner, referrals

Regardless, SOMEONE has to:

• develop relationships with potential clients
• offer the work in a desirable way
• respond to market trends in aesthetics & presentation
• price the work in a way that's competitive and profitable
• complete the transactions
• deliver or ship the work and potentially install

If you're the kind of artist who only wants to make work in the studio and not deal with marketing/sales, then you must find a good gallery or broker to represent you. Realize this costs - usually 50% of your retail price. However, they are doing most of the work to sell your art. Hoping your work will sell, doing social media only or simply putting your art on one of the hundreds of art websites online is NOT a strategy.

If you're the kind of artist who enjoys selling direct to your clients, then realize you are equally an artist and an entrepreneur. You'll need to develop a marketing strategy with multiple outlets, testing and measuring results as you go. There's no silver bullet. Without cultivating both sides of the equation - being both artist and entrepreneur - you'll live in constant frustration.

Or of course... a combination of both ie: selling direct and utilizing galleries, partners, etc. Over time, you'll discover a combination that works best for you, your personality and your profitability.

First of all, this is a huge question but surprisingly simple. It's simple because it has to be based on you, the artist.  How do you like to sell your art?  I've found over the years, there are basically two ways to sell your art: direct to the customer or through a strategic partner (or, I admit it... a combination of both). It's really important to understand which strategy is most effective for you when you're asking how to sell art.

When I first started asking how to sell art, I did what most artists do and looked to others who I saw being successful and modeled them. Unfortunately for me, their model didn't work for me. Many of the artists I knew were introverts who enjoyed mostly making in their studio rather than interacting with the public. Consequently, they had adopted a wholesale methodology which required them to make production items, sell at a 50% discount, sell through stores and galleries, and never have any interaction with their end user.  For me, as an extroverted people person, that was very unfulfilling.  When I made beautiful work and faced the reality of packing it up and shipping it off to a gallery far far away, that gave me no emotional payoff, which for me is an important part of being an artist. I love hearing people say "Oh my gosh, that is so beautiful! I love it!" Without that, I was missing something huge!

The other methodology I saw most artists doing included doing as many retail craft and art shows as possible. They seemed to live on the road. In the summers, they were in the mountains and in the winter, they all headed to Florida. Always on the road, always staying in hotels or travel trailers. Again, not my idea of a beautiful artistic life.

For me, I chose to pursue selling my art through a public studio in Asheville's River Arts District, a collection of over 200 artists in 23 old warehouse buildings in Asheville, North Carolina.  It's a mecca for artists and art lovers, as well as wealthy retirees who like to incorporate local art into their homes.  I get to make, sell and interact all out of my studio. I deliver most of my commissioned works and I get a high level of interaction with my clients. We build relationships. They visit the studio with friends and for me, that's huge!

So what's the bottom line?  You have to determine how to sell art for yourself based on how your wired, what you're creating and the life you want.  Without being clear about those questions, you'll end up really frustrated.  If you're going to be an artist, you want to do so while living a beautiful, creative and fulfilled life.

Now you understand why these two questions go together.  How you sell art ends up determining where you sell your art. There's no cookie cutter plan that works for everyone.  As you consider where to sell your art, make sure you craft a strategy that fits how you like to create, sell and live life. The artist life is not just about cranking out product, but about authentically creating your work, connecting with others who love what you do and making a profit.

That being said, here are some of my best recommendations:

Where to Sell Your Art For Artists Who Want to Sell Direct To Clients:

• Retail art & fine craft shows in your region (and nationally) that have a track record of attracting your ideal client
• Open Studio where people can see where, how and what you create
• Through Your Website & Social Media
• Through friends and family recommendations
• Personal recommendations from clients
• Home Parties & Trunk Shows
• Private clubs & organizations who connect with what and how you create
• Strategic Partnerships with people who are in front of your ideal client but don't directly compete with you ie: interior designers, builders, architects, hotels, etc.
  
  

Where to Sell Your Art For Artists Who Want to Sell Wholesale:

• National art & fine craft wholesale shows
• Museum Shows & Exhibitions
• Local, Regional & National Galleries & Stores
• Strategic partners who want to represent your work
• Guilds & Marketing Co-ops in your area

We talk about these issues every day in my Created to Thrive Artist Mentorship Program and over the last year, I've created several in-depth teaching videos on this subject based on my own experience and the experience of ​hundreds of artists I've helped over the years.  Find out more about becoming a part of my artist mentorship program here.

Also, let me know what's working for you! Comment below and let's keep the conversation going.

Get my Free 9-Page PDF "Sell Your Art & Make Money Quick". It's packed with over 60 different proven strategies for selling your art in any market.